At the edge of an idea inside a summer afternoon, my vertigo unsettles me. The walls spin: a flicker of disharmony threatening to upend the solid ground on which I began to stand on my own two feet — as if it is so easy to take down something that was so hard to build as if it is so simple to unravel stitch after fucking stitch. But it is always something small that eats into the big. Like the person who told me that, being brown, I shouldn’t be writing about the heat or mangoes or crowds because that much is already baked into every word I write — the small that always hides something big behind it. Though this time I don’t know why my world wobbles like its axis is scarred like its pelvis is cracked like something promised up in the sky is going to be unleashed upon unsuspecting soil. But this is not about that — I don’t want to think about poetry I don’t want to relearn movement I don’t want to see concrete shredding itself like cardboard I don’t want to hear another question about another tomorrow — the big that always hides behind something small. I must give in and let myself float: heart and brain and inner ear in a quiet updrift. I would surrender if I knew to whom. I would disappear if I knew how to. I would cry if sadness had remained sadness. I would tell if you would only ask. The walls move like kaleidoscope patterns, changing without colour, everything, a house of cards, the king and queen leaning in to make a small steeple. The big things have other plans.
#Poetry
I'd have been happy with just the first stanza. It really nails the frustration.
But the second stanza is very interesting to me. The idea of things already being baked in.
Great work.
Oooooo! I like this so much! Great work, Rajani!!