I tell you about a block of butter softening on a table set for one and you paint a picture in your head, add a knife, a curtain and shuffling feet and a certain grey filter and write — an ekphrasis that talks of solitude or silence or disintegration of form or salt or substance…maybe death. You search for romance in the bleak. For a rhythm in the emptiness. For the impossible. For a return that cannot be. For us. Long ago is a place. A place that we leave. A place that leaves us. Us. We examine our lives in spare images. House sparrows always one step out of reach. Rain. The persistent downpour that starts in the morning. The dusty hollow in the shelf where a book used to be. The order of shoes on the rack. Three steps to the refrigerator. Two to the sink. A water ring from a night that never was. That could not be. In a chipped vase on a window sill, a single flower, and sunlight and shade in alternating stripes from a half-closed blind: you write of physics and the shifting of the wind, of dusk, row after row of approaching darkness, of water delaying the inevitable droop of petal, of rot. But there is still hope in the decay. The filling of space. The movement. The alchemy of despair into dawn. Of vacuum into want. Of suggestion into story. Of limbless hurt into a moving spectre of love. Pedantic words circle what eyes see, what the heart makes up. Language as mask. Language as shroud. I reach for the toast, cold and brittle. A hungry verb settles on my elbow.
#Poetry
I relate to this so much.. so much of our life, our daily existence is about the hope, the fluff, the stories we tell ourselves, our interpretations and prespectives than really what is in front of us‐-the stark reality, the cold toast.
wonderful poetry Rajani, hoping to read more of you !